From wedding photos to product videos, this continuous light will help you shoot in every environment. The Godox SL-60W promises to be the light for every occasion. While not necessarily ideal as a key light, you can’t go wrong with this inclusive model when bringing character and originality to your production background. Its compatibility with USB Type-C chargers and Qi wireless charging tools ensures that you’ll never have to scramble to get your light up and running. The MC model prides itself on being Aputure’s first light to support PD fast charging, allowing it to fully charge in just over 90 minutes. The app allows for even more precise control over this lighting gadget. Its compact size allows for easy transport of multiple lights in one carrier and the built-in Sidus Mesh Technology allows the user to control up to 100 Aputure MC lights at once with the Sidus Link mobile app. This inclusive light comes equipped with an array of lighting effects and a CRI of 96+, ensuring that you have the best quality lighting for every occasion. Remember how we were saying that you need to consider your video’s ambiance when buying lighting? This compact lighting system has got you covered with fully adjustable color hue, saturation, and intensity, putting full control of video production in your hands. If you’re on a tight budget, the Aputure Amaran AL-MC LED video light might be the perfect addition to your filming set. Aputure Amaran AL-MC RGBWW On Camera Video Light If you can already feel your blood start to boil just thinking about fitting a bulky setup into your car boot, you might want to consider some of the sleeker options on the list. ![]() The portability of filming equipment is a relevant concern in many genres of cinematography and video creation, including travel vlogs, movie production, review videos, and much more. This is the specification to look out for to avoid an “Expectation vs. You want to look for a cinematography light with a CRI of 90-95 in order to rest assured that your light will produce the same quality as advertised in the product images. Color Rendering Index (CRI)ĬRI is going to be the determining factor in the quality of your lighting setup. In the case of lights, bigger is not always better. It is thus advisable to steer clear of larger lights that make use of cooling fans. Nothing is less professional than distractions in the background of your videos. Noise is a critical component when buying lights for video content. ![]() Color temperature is what determines the color of your lighting and usually ranges from about 1000K – 10 000K. Lights in the lower ranges of color temperatures are going to give off a warm, orange hue, while lights on the higher end of the spectrum will produce a sharper, blue hue. It is crucial to have the ambiance of your content in mind when deciding on a light, as that will help you decide on the right color temperature. It is also worth looking into how compatible your home outlets are with different light outputs to prevent safety risks. ![]() Below we have used lux at 1 meter as a measurement of brightness, where a higher value means brighter light and higher output. If you are filming in a home studio or relatively confined space, there is no need for lights with very high lux to create the illusion of a professional set. The lights you see behind the scenes on professional movie sets are likely to have a very high light output, but they are also sure to cost a pretty penny and generate a lot of heat. Wider beam angles will produce light that covers a wide area, while lower-degree beam angles will create a more concentrated stream of light. How much area are you hoping to cover with this light? Are you looking to illuminate the whole scene or create more of a spotlight effect? These are the important things to think about when deciding on the appropriate beam angle for your new video light.
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